Last Sunday, at the Teatro de Bellas Artes, sisters Christina and Michelle Naughton concluded their performance with a lively unprogrammed encore: a four-handed version on piano of Paul Schoenfield's Boogie. Such was their enthusiasm that their performance sounded like there were three pianos and twelve hands, and yet they still maintained melodic clarity and the true harmonic essence of the blues.Read More
The twin-sister duo of Christina and Michelle Naughton have made a deep splash since graduating from the Curtis Institute in Philadelphia and coming on the scene in 2008. They've recorded conventional duo-piano repertory and succeeded through sheer charisma, but they break through to a new level with this innovatively programmed album that takes its title from its opening work, Messiaen's ecstatic Visions de l'amen (Visions of Amen), composed in 1943.Read More
Visions is the title of the debut album on Warner Classics of the piano duo consisting of twin sisters Christina and Michelle Naughton. The title refers most specifically to the major composition on the album, Olivier Messiaen’s “Visions de l’Amen.” However, the “visionary” profession of faith is also evident in an arrangement of the instrumental introduction (called a sonatina) to Johann Sebastian Bach’s BWV 106 cantata, Gottes Zeit ist die allerbeste Zeit (God’s own time is ever best), to which Bach assigned the subtitle Actus tragicus. The album then concludes with John Adams’ “Hallelujah Junction,” whose rhythms are based on the stress patters of the word “hallelujah.” In this case, however, the connection to faith is more than a little remote, since the title comes from a small truck stop never the California-Nevada border.
New album Visions to be released on February 26, 2016
Warner Classics is delighted to announce the exclusive signing of the piano duo Christina and Michelle Naughton. Based in New York, the 27-year-old identical twins have played together from an early age, both graduating from the Curtis Institute and The Juilliard School.Read More
There was enough electricity at Curtis Institute’s Field Concert Hall yesterday afternoon to power all of Philadelphia during this week’s Papal visit.
That’s how good Christina and Michelle Naughton, identical twin pianists and alumni from Curtis, were during the season premiere of Curtis Presents. The Naughtons, who graduated from Curtis back in 2011, returned to their musical home, so to speak, to perform a brilliant program of both traditional and modern works to a packed house at Field Hall.Read More
Drawing on a virtuosity fueled by their close relationship as twins, Christina and Michelle Naughton gave a dazzling demonstration of their artistic talent yesterday afternoon at La Côte-Saint-André church.Read More
WASHINGTON, November 16, 2014 – The Naughton sisters, a bright, new pair of young duo-pianists, took the Kennedy Center’s Terrace Theater by storm last weekend in their initial Fortas Series recital.
Not only did twins Christina and Michelle rock the room with the two-piano, four-hand version of Stravinsky’s “The Rite of Spring,” kicking off the KenCen’s and the NSO’s weekend celebration of that pivotal modernist work. They also dazzled their enthusiastic audience with passionate but well-planned and nearly impeccable performances of Brahms’ “Variation on a Theme of Haydn,” for two pianos, Op. 56b; a two-piano version of Claude Debussy’s challenging “En blanc et noir”; and the “Variations on a Theme of Paganini for Two Pianos” by Witold Lutosławski (1913-1994).Read More
Introduced as "emerging superstars" by MSO Music Director Elizabeth Schulze, the twins performed Wolfgang Amadeus Mozart's Concerto for Two Pianos and Orchestra No. 10 in E-Flat Major with the MSO. "It was a novelty seeing two sisters who were young master soloists performing," said Dave Bell, 31, who traveled from Glen Burnie, Md., to see the concert. "It was really interesting."Read More
When the pianists Christina and Michelle Naughton perform together, they never look at each other, but they move in tandem, mirroring each other’s every gesture. “It’s really bizarre,” said Cristian Măcelaru, associate conductor of the Philadelphia Orchestra. “When you see a quartet that has been playing together for 25 or 30 years, it’s a similar thing.” “This sounds freaky, but there are times I forget we’re two people playing together,” Christina said.Read More
In the past, piano duos have been a rarity in concert halls, as duets on a keyboard instrument were long perceived as inferior to solo performances. The history of four-handed playing stretches back to the 19th century, when piano duets developed into the most popular form of music-making at home — which gave the piano duet, whether four-handed on one instrument or with four hands on two separate instruments, its long-held reputation as the preserve of amateurs.Read More
Two twin pianists? Be careful! Those that first come to mind are not even twins. These, who our Philharmonic just debuted in Spain, are. And what a pair of twins: as good as or better than the other two sisters, whom they resemble in their silhouettes and attire even more than in musical terms, which is already a lot. Among the few of us that were in the Iturbi Hall, there were those who were already relishing the thought of what will be said when, in a few years, after all the praise in the mainstream media, the same hall overflows with enthralled spectators: “I saw them first and predicted they would go far.”Read More
I did a double-take when the Naughton sisters, who appeared next, first walked onstage. These two young pianists from Madison, Wis., are identical twins, and they are also the real deal. Trained at the Juilliard School and Curtis Institute of Music, the Naughtons played Poulenc’s D-minor concerto with dramatic flair, tossing off brilliant passagework in the outer movements with ease while playing the Mozartean second movement with elegance and grace. The performance was as sparkling and effervescent as champagne. Poulenc, one of history’s most insouciant composers, would have loved it.Read More
Francis Poulenc’s “Concerto in D Minor for Two Pianos” anticipates a century of patchwork film music, splicing together Parisian cafe tunes, Mozart piano sonatas and even Balinese gamelan into a lively three movement pattern. Such a combination could come off as muddled or disjointed, but the concerto was brought to life by guest musicians Christina and Michelle Naughton, twin sisters who have made a specialty of duo piano works.Read More
Bad Kissingen – Wow, how nice to see that it can still happen, a new sensation at the festival! The 24-year-old twin sisters Christina and Michelle Naughton from Philadelphia have been known in Europe for three years now. So far, only one CD has appeared, a recording of a concert at Radio Bremen. But the audience already realized during Mendelssohn’s Andante and Variations Bb-Major, op. 83a that the two young women are not only almost limitless masters of technique, they also possess an equal mastery of musical intuition, creativity, and precision.Read More
The twin sisters Christina and Michelle Naughton caused heads to turn simply by their presence at the concert held by the Ingolstadt Music Society at the Ingolstadt Concert Hall. As they began to play, however, the audience was left spellbound. One would be tempted to write about robotic perfection, but any allusion to machines cannot do them justice; the Naughtons are extremely gifted musicians who play (from memory throughout) with great abandon and incredible expression.Read More
An auspicious local debut on March 10th at the Isabella Stewart Gardner Museum came in a duo-piano program by Christina and Michelle Naughton, 24-year-old identical twins from Madison, Wisconsin, by way of the Curtis Institute and a three-year touring career, a good part of which was in Europe. They offered a wide-ranging recital—just the ticket for a proper introduction—the scope of which would be hard to discern from the limited information the ISG provided on its website. Also, in part to make up for deficiencies in the program notes (i.e., there weren’t any), for the benefit of any perplexed audience members we will do a bit more background on the pieces than might be strictly necessary for a review. And speaking of proper introductions and limited information, for the benefit of those of the (full house) audience who don’t know the duo personally or weren’t able to ask them after the concert, Christina was the one in the dark blue scoop-necked gown, while Michelle had the dark blue off-the-shoulder gown. Apparently, these twins are given to pawky pranks such as wearing identical clothing, so we were a bit lucky for these small distinguishing elements.Read More
Kiel. It is likely that the average age in a philharmonic concert has never been as low as it was yesterday morning, when GMD Georg Fritzsch lured many families with children to the Carnival of the Animals. The artistic offering was in no way diminished by being labeled “junior”, however, since US piano duo, the Naughton sisters, played magnificently and effortlessly.Read More
Poulenc’s Concerto for Two Pianos and Orchestra can seem like the least of his concertos, but it made a smashing impression with Krivine’s tight control over its sprawling musical references – cabaret music, silent-film scores, bits of Mozart – plus emphasis on its gutsy percussion. Also, the two-piano sister duo Christina and Michelle Naughton took the opposite tack of the better-known Labeque Sisters, playing with great sensitivity and nuanced interplay between their two instruments. Both were so captivating, one would want to hear them individually.Read More