The Brilliant Naughton Sisters

They are dynamite — and not just musically. Twins Christina and Michelle Naughton gave an acclaimed debut at Frankfurt's Alte Oper concert house. In two concertos by Mozart and Francis Poulenc, the dazzling sisters from Princeton, USA not only displayed virtuosity as they climbed the musical summit, but also demonstrated an assured sense of style in their appearance, which included a glamorous costume change.

Read More

Frankfurter Allgemeine

Mozart peppered his Symphony in D Major (KV 297) with crowd-pleasing effects for a performance in Paris in 1778. And yesterday at the Museum Concert in Frankfurt's Alte Oper opera house, Giancarlo Guerrero set the rapid scale passages alight like Mannheim Rockets, his pleasure clear for all to see.

Read More

Naughton sisters dazzle Washington in Terrace duo-piano recital

WASHINGTON, November 16, 2014 – The Naughton sisters, a bright, new pair of young duo-pianists, took the Kennedy Center’s Terrace Theater by storm last weekend in their initial Fortas Series recital.

Not only did twins Christina and Michelle rock the room with the two-piano, four-hand version of Stravinsky’s “The Rite of Spring,” kicking off the KenCen’s and the NSO’s weekend celebration of that pivotal modernist work. They also dazzled their enthusiastic audience with passionate but well-planned and nearly impeccable performances of Brahms’ “Variation on a Theme of Haydn,” for two pianos, Op. 56b; a two-piano version of Claude Debussy’s challenging “En blanc et noir”; and the “Variations on a Theme of Paganini for Two Pianos” by Witold Lutosławski (1913-1994).

Read More

Masterful Piano Duo — The Naughton Twins at the Düsseldorf Tonhalle

In the past, piano duos have been a rarity in concert halls, as duets on a keyboard instrument were long perceived as inferior to solo performances. The history of four-handed playing stretches back to the 19th century, when piano duets developed into the most popular form of music-making at home — which gave the piano duet, whether four-handed on one instrument or with four hands on two separate instruments, its long-held reputation as the preserve of amateurs.

Read More